Pizer, Donald. "Late Ninteenth-Century
American Realism: An Essay in Deffinition." Ninteenth-Century Fiction 16.3
(1961): 263-69. JSTOR. Web. 19 Sept. 2012.
Donald Pizer argues that the late 19th century
American realism, having previously been criticized for showing scenes of unrealistic
commonplace life, is not only not idealized or common but, through the
characters experiences, shows realism’s strength and energy as well as the
promise of future growth. He branches off George J. Becker’s definition of
realism, as resulting from observation, representation, and objectiveness, to
say that the diversity goes beyond representation and realism, while being
idealistic, is also personal and containing vigor. He states that Howells has
his character contend with evils of a more commonplace manner, his former
business partner and the jeopardies of trying to climb the social ladder. He
writes that Silas’ rise above his neighbors is idealistic in that morality is a
private belief of the way life should be rather than the way it truly is. Mark
Twain on the other hand exemplifies the diversity that realism can take. Twain examine
the possibilities of “the fiction of external violence and interior monologue.”
Through these ideas, the reader is able to understand that realism is more than
spoken dialogue and the tedious day to day events. With Howell and Twain, realism
is objective but personal, common but full of vitality. Authors are able to use
these and Twain’s venture into the inner monologue instead to continue to grow
and develop the meaning of realism in our twenty-first century works.
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